Renfrew Golf Club Pro Am August 1977

IT was the day huge crowds turned out at Renfrew Golf Club to catch a glimpse of famous celebrities playing in a charity tournament.

One of the famous faces teeing off was none other than 007 himself, Sean Connery, who was joined by other stars from the world of entertainment and sport for a round of golf on the local course.

Renfrew Golf Club Pro Am August 1977

Image of Henry Cooper, Sean Connery, Jimmy Tarbuck and woman unknown, at Renfrew Golf Club participating in a Saints and Sinners Pro-Am tournament in aid of the Variety Club

Now a film looking back on that special day is to premier on Renfrewshire Leisure’s online television channel Ren TV, at 7pm on Friday, September 25.

Created by local filmmaker, Paul Russell, the film, Watch The Birdie, captures the excitement of locals as they watched the golf tournament – in aid of the Variety Club of Great Britain – held in August 1977.

As well as Sean Connery, one-time British, Commonwealth and European boxing champion, Henry Cooper, along with TV stars Bruce Forsyth and Jimmy Tarbuck also played in the tournament, at the Renfrew golf course.

Paul revealed that the film was inspired by the hilarious responses to some pictures taken at the event by photographer Pete Degnan, which had been posted on the Renfrew REMO Facebook page, where Renfrew residents share memories of their town.

The photographs prompted a lot of discussion and humorous anecdotes being posted on the social media page.

The film features interviews with event organisers, those who caddied on the day; Norry (correct) Wilson of the popular Lost Glasgow social history blog and photographer, Pete Degnan, who travelled from Derby to take part.

Paul said: “Younger viewers might not get the significance, but to have Sean Connery, Henry Cooper, James Hunt, Bruce Forsyth and Jimmy Tarbuck, to name but a few coming to Renfrew, would be today’s equivalent of having Daniel Craig, Tyson Fury, Lewis Hamilton, and Ant and Dec all coming to play a round at Renfrew Golf Club. These were the big stars of the day.”

“Lockdown has been a tough shift in lots of ways for everybody, but these recent times recently have really gathered people together in a virtual sense, brought happier times into focus and helped us all get through it.

“Pete Degnans photographs are a gift in this regard and it is in the conversations, anecdotes and memories his images prompt, in which the real magic occurs.

“Every community has something to be proud of, things which make it unique, and it can be a comfort to remember and talk about these, especially when it can seem like the chips are down and past certainties can no longer be taken for granted.”

Chairperson of Renfrewshire Leisure, Councillor Lisa-Marie Hughes said: “I can’t wait to watch this film.

“As well as bearing witness to part of Renfrew’s social history where the community came together for an extraordinary event, I’m sure the film will be very entertaining and bring a smile to the faces of everyone watching – especially those who remember the golf tournament and saw the stars coming out to play at Renfrew Golf Club.”

The film is a Future Paisley project, as part of a radical and wide-ranging programme of events, activities and investments using the town’s unique and internationally significant cultural stories to transform its future.

To see Watch The Birdie go to www.renfrewshireleisure.com/rentv/.

paisley pirates

It is with considerable regret and sadness that we must confirm the Paisley Pirates ice hockey team will not be competing in any competition during what would have been season 2020/21.

paisley-pirates

Over the close season, in common with most other sports, ice hockey was placed in doubt due to the current pandemic resulting from the many foreseeable difficulties which would ensue if the pandemic continued to disrupt everyday life. Further, some weeks ago, our landlords, Braehead Arena, made it clear to all users that the ability of other clubs renting the arena to continue in that facility was entirely reliant on the continuance of the Glasgow Clan to make it an economically viable prospect. This in itself placedparticipation in the 2020/21 season in major doubt. As of Tuesday, 15 September 2020 the Elite Ice Hockey League, that in which the Glasgow Clan compete, has confirmed their 2020/21 season has been suspended. As a consequence of this we now have no facility to train or play our home games.

We have during this time made exhaustive enquiries, consulted with players and game night volunteers over such options as using other rinks for training and home games in order to continue competing. The Convener of Renfrewshire Council, Iain Nicolson, has also made a number of representations on our behalf, all with a view to finding us ice time, To date it’s been a 13 year stay at Braehead Arena, and with a 74-year history this will be the first time since 1992, some 28 years, that the Paisley Pirates have not competed.

Further, the continuing health and welfare of our players and the clubs’ integrity is of paramount importance. Based on the current government guidelines and restrictions it is imperative that we comply with these to help us all journey through this pandemic. With issues such as local lockdowns and potential further restrictions imposed by the government, we can’t guarantee that the health and welfare of our players and staff could be upheld whilst fully complying with the guidance. Based on this, for the team to train and play away from home its simply not feasible as there are currently too many variables which could potentially jeopardise the sustainability of the club long term. We also feel the cost to supporters in following the team over most parts of Scotland and to Northern Ireland, in our view, is prohibitive.

For the record, we have affiliated to Scottish Ice Hockey and will continue to support the governing body and its members wherever we can. It is our intention to re-enter regular competition in season 2021/22, circumstances permitting, where we hope to again represent with pride the county of Renfrewshire in general and the town of Paisley in particular. We hope to see our fans back this time next year and please continue to follow our Social Media channels for updates.

THE PAISLEY PIRATES COMMITTEE

Strictly come prancing

St. Vincent’s Hospice are looking for couples and volunteers from the same household to sign up to take part in their Strictly Come Prancing event in Spring 2021, as the charity begin preparations to allow the event to go ahead in a safe, fun and socially distanced dance spectacular.

Strictly come prancing

St. Vincent’s Hospice is a local charity Hospice at the heart of the community, providing specialist care for those affected by life limiting conditions in Renfrewshire. Every year, Strictly Come Prancing generates thousands of pounds in essential revenue to provide this vital support for people across the community going through some of the hardest times of their lives.

Director of Income Generation for the Hospice, Jackie Young, said: “Strictly Come Prancing is the biggest event on our fundraising calendar, with couples and dance partners coming together in front of hundreds of supporters and sponsors every year, to find out who will be crowned the Strictly Champions.

“With the current pandemic, we have no way of knowing what will be allowed in March: so we are currently working on plans A, B, C and D to make sure that we are able to go ahead in some format. Currently this has involved discussions with venues of limited numbers, doing it across multiple nights, all the way to a live streamed online event. Whatever it takes, to keep everyone involved safe and keep everyone dancing!

“What we do know, is that we need volunteers to sign up and be our dance couples for 2021! So, if you are from the same household or extended household, and want to get involved, learn how to dance, have fun and help out a great cause, we want to hear from you!”

Couples who sign up will undergo dance training from experienced choreographers to make sure they are ready to go on the big night in a way that matches their skill level and is sure to wow the judges. All training will be carried out in line with government guidelines to ensure everyone is safe.

Jackie added: “This event is open to everyone, with former champions including an 81 year old dancing the tango, so please support St. Vincent’s Hospice and get in touch to find out more.”

To learn more, sign up, or speak to the Fundraising Team call 01505 705 635 or email Info@svh.co.uk.

Spitfire for NHS Scotland

A World War II plane which began flying around the UK during the Clap for Carers campaign while the country was in lockdown, flew over Scotland on Thursday 17th September and hundreds of Paisley Buddies got to see the War Time Plane with its Thank U NHS emblazoned on the bottom of the plane as it flew from hospital to hospital around the country.

The Spitfire is incredibly popular and is now aiming to take its tribute to the NHS even further with the team behind it and has now had to handwrite 80,000 names onto the jet’s blue paintwork.

It flew from Dykebar Hospital to the RAH at around 14:15 and lots of pictures and videos can be seen on our Facebook group.

Here are just some of the pictures taken by Allen Mclaughlin 

Coats Memorial Spitfire for NHS Scotland

Coats Memorial with the Spitfire doing a flypast

Spitfire for NHS Scotland

Spitfire with Thank U NHS and the names of hundreds of people written on the fuselage for charity.

Video of the Spitfire Taken by Paul Mothersole:

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Councillor Scott Kerr said he is “astonished” the heavily corroded bridge in Houston remains in such a poor condition after three years of pressing the issue

councillor scott kerr

A village councillor is calling for urgent action to be taken to fix a metal bridge in Houston which has been “left to rot”.

Scott Kerr said he is “astonished” the heavily corroded Ardgryffe bridge – which is covered in holes and graffiti – remains in such a poor condition after three years of pressing the issue with both Renfrewshire Council and current owners Taylor Wimpey.

The Conservative councillor claims the two have been at a “stalemate” during the period, with Taylor Wimpey wanting the council to adopt the bridge, while the local authority has insisted it is brought into a better condition before this can be done.

The bridge provides a vital walking route for residents – connecting Houston and Crosslee – and is used daily by schoolkids.

Taylor Wimpey has said it has “no concerns” regarding corrosion on the bridge.

Councillor Kerr said: “I am deeply frustrated the issues surrounding the Ardgryffe bridge in my ward continue to remain unresolved.

“This is an issue I have been pursuing since I was elected three years ago and I find it astonishing we remain at a stalemate.

“It is time for the council and Taylor Wimpey to discuss the matters again and commit to resolving this for the people of Houston and Crosslee.

houston bridge

“I will continue to liaise closely with the community council to demand the bridge is once again fit for purpose for residents in my ward as a matter of urgency.”

Taylor Wimpey said a meeting was held this week with the council and an inspection was carried out at both the Ardgryffe bridge and the wooden Crosslee bridge.

The company also confirmed it has “agreed a specification” to allow the council to adopt the bridge – hopefully by the end of next year – and is committed to carrying out necessary works.

The council said it was agreed in July last year that, subject to conditions being met, it would adopt the bridge for maintenance purposes and bosses continue to be in discussions with the developer.

A spokesman for Taylor Wimpey West Scotland said: “We remain fully committed to completing the works necessary to the metal bridge at Ardgryffe Crescent and the wooden Crosslee Bridge as part of a wider strategy to handover Crosslee Woodland to Renfrewshire Council.

“We are in regular communication with the local authority in relation to this matter.

“Following an inspection on September 10, we can advise there are no missing spars to the metal bridge, and we have no concerns regarding corrosion.

“We have agreed a specification to allow the metal bridge to be adopted by Renfrewshire Council.

“We are also addressing the remedial work that is required to the surrounding woodland to remove diseased and dying trees. However, our approved plan for this has been impacted by the current health emergency and we are in the process of engaging a new contractor.

“We will continue to work in partnership with Renfrewshire Council to resolve matters, which we anticipate could allow the Crosslee Infrastructure to be adopted by the local authority towards the end of next year.”

Text by Paisley Daily Express written by https://www.dailyrecord.co.uk/authors/stephanie-brawn/

renfrewshire council logo .JPG

Proposals to repurpose existing funds to support Renfrewshire’s culture sector recovery from the impacts of Covid-19 have been approved by councillors.

The proposals, which were presented at today’s Leadership Board (Wednesday 16 September), recommended that £200,000 previously allocated to Renfrewshire’s Culture Heritage and Events Fund be adapted to become Renfrewshire’s Cultural Recovery and Renewal Fund to support local cultural organisations and artists impacted by the pandemic.

renfrewshire council logo .JPG

The changes recognise that the focus of the previous Culture Heritage and Event Fund no longer fits the need of the sector as individuals and organisations are unable to deliver projects effectively due to ongoing lockdown restrictions.

Renfrewshire’s Cultural Recovery and Renewal Fund will now be split across three strands; Cultural Organisations Support – grants for cultural and creative not-for-profit organisations facing significant threat which are ineligible for the Business Support Fund; Arts development grant – aimed at freelance artists living and working in Renfrewshire to help develop new work and Town Centre & Neighbourhood Creative Installations –  supporting artistic interventions across Renfrewshire that add value to public and civic outdoor spaces.

Councillor Lisa-Marie Hughes, Chair of Renfrewshire Leisure said: “The value of culture and creativity has been one of the defining elements of the pandemic – a time when it has never been more challenging for the sector.

“Renfrewshire’s Culture Sector has responded with innovation and care helping to support the community and lift our spirits in a number of creative ways including delivering online content like classes, exhibitions and concerts, and by making  projects like creativity boredom boxes available.

“This sector has been such an important part of the area’s history and is a key part of the vision for its future and this is why we must do what we can to support it at a time when it is experiencing its greatest challenges.”

Renfrewshire Leisure, on behalf of Renfrewshire Council, will now move on to develop the eligibility, criteria and assessment processes – aiming for applications for the funds to be open by the end of 2020 and distributed in the early part of 2021.

Renfrewshire’s Cultural Recovery and Renewal Fund is supported by Future Paisley – a programme of economic, social and physical regeneration building on the work already done to use Paisley’s internationally significant culture and heritage story to change its fortunes.

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Renfrewshire Chamber of Commerce Business Mentoring can help business owners like you realise your personal and business growth ambitions, giving you the ability to take your company to new heights.

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Take advantage of our fully funded support service and find out how our Business Mentors can help you.

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Stuart Murray is our Development Executive responsible for Business Mentoring in Renfrewshire. He can be contacted on:

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Clyde walkway after being tidied

Volunteers are making it a Spotless September in Renfrewshire after more than 250 bags of litter were collected in the first two weeks.

Clyde walkway after being tidied

Hundreds of volunteers have taken part in an incredible 75 litter picks so far as inspired individuals and community groups do their bit to make their local community cleaner and brighter.

Litter picks have taken place all across Renfrewshire, including Erskine, Renfrew, Paisley, Johnstone, Linwood, Bishopton, Houston and Bridge of Weir.

Marion McDonald and her two children, Matthew (11) and Ivy (6), from Toddle Tots

Local volunteers have been provided by the Renfrewshire Council with sanitised litter pickers and equipment to take part in their litter picks, as well as information on how to stay safe during the Covid-19 pandemic while litter picking, and the council’s StreetScene team have collected each bag of litter afterwards too.

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Councillor Cathy McEwan, Convener of Renfrewshire Council’s Infrastructure, Land and Environment Policy Board, said: “It’s incredible how devoted our volunteers are and their dedication to keeping their community clean continues to amaze me.

“We are all working together to not only make where we live cleaner and brighter, but also to change the behaviour of those who think it’s okay to drop litter.

Cllr Cathy McEwan

“The Team Up to Clean Up campaign has created a community of local people who want to make a difference and, slowly but surely, we will make real environmental change here in Renfrewshire.

“I’ve been out litter picking as part of Spotless September and I can’t wait to get out again. Please come join me and hundreds of others as we work hard to make Renfrewshire a nicer place to live, work and visit.”

The award-winning Team Up to Clean Up campaign sees the council and community join together to carry out enhanced cleaning of Renfrewshire’s local environment, with additional road sweeping, litter picking, and gully cleaning assisted by the local community’s litter picks.

For more information, and to find out how to take part, visit www.renfrewshire.gov.uk/SpotlessSeptember.

The September window display

Having had a look in ReMode’s Paisley shop a few times, I was keen to learn more about all that goes on there. Passing by, ReMode catches your eye with their vintage and handmade clothes created by volunteers, but they are much more than just a shop. I spoke with Gillian Steel, Creative Director of ReMode, about what they get up to as an organisation, as well as their wider message of sustainability and recognising your own agency to act upon climate breakdown. 

The September window display

Firstly could you tell us a bit about ReMode in general for those who don’t know much about it, and what the main idea behind it is?

 

So, ReMode is a Climate Challenge funded project and it started about six years ago as an education programme for young people, 11 to 18 years of age, but it has evolved over that time. After the first year-and-a-half or so, we got a shop in the village in Lochwinnoch, and the idea behind the shop was that the volunteers and the participants of the workshops made the clothes, or adapted them, or mended them, therefore learning these skills to do them to their own clothes, providing some of the stock for the shop and the stock was then sold on a tokens basis. 

Water/t-shirt quote with vintage/handpicked items

So that was the general idea, the space in Lochwinnoch is now a Make Space, and we now have a shop in Paisley which has been much more successful in terms of attracting that age group from about 16/17 years until mid to late 20s, which we’re really happy about as that’s really the group of people we want to engage. We have studios at the back of our shop in Paisley, where we have two artists at the moment who are working in there. They are designer/makers with similar ethics around about sustainability and that practice. We usually run a programme of workshops, where people come in, for example, on a Friday evening when we have ReCycle or Dye, which is for 11 to 18 year olds. They can learn all these different skills to make things from patterns or from scratch, using a drape approach. We also work with other groups, such as a boys’ group called the Yang collective who were making shirts. So we’ve got loads of stuff going on; we’re not really just a shop. The shop is a front-facing device to get people engaged and to get them to come in and start a conversation around climate breakdown, and get people to understand how powerful they are, what agency they have in helping to address the issues around climate breakdown.

Token Scheme

Can you tell me a bit about the token scheme?

 

So, when people came in and donated clothing, for example, a couple of pairs of jeans and a few tops, there might be three kilograms of weight in that donation and then they would be awarded three points and they could spend that on the rails. We now have a kind of hybrid system where you can accrue points by bringing in donations, to get points for nothing really, from all the clothes that you don’t want anymore, and we process all that clothing. We cherrypick vintage stuff, we look for special materials like silk, cotton, leather, wool and direct that towards various parts of the workshop programme. That means that those workshops always have free materials to work with and we don’t buy anything new. The hybrid system means that you can now have those points that you gain by donating, but you can also use pound sterling, because we received feedback that people wanted to be able to use pound sterling. For example, if a top costs five tokens or £5, and you have three tokens in your account, then you can use three tokens and put £2 out of your purse, towards it. 

 

So clearly there’s a big focus on sustainability, is this something you see as being on the rise in Paisley? Do you think it still has a long way to go?

Smock dress created using scrap fabrics

Well, sustainability is not the main message, it is the message. We cannot sustain the way that we use natural resources to make our clothing, whether we’re in Paisley, or Malawi or anywhere on this planet. We cannot possibly sustain the amount of virgin materials we are using to make new clothes currently, we can’t keep doing that. Sustainability is the message. 

In Paisley, we are kind of building up more of an awareness of it. Yeah, people are becoming a bit more aware, but it is still kind of a peripheral thing. Really what we should be talking about is: clothing is the practice of growing fibres, gathering fibres, harvesting, making clothes, manufacturing clothes. This should all be a sustainable practice, but it isn’t at the moment, so we’re at the very thin end of the wedge and we’re still at that point where people see it as being kind of a niche area. That’s a really foolish way to look at it because it has to be the central focus, that’s how we have to practice that, not just in terms of our clothing, but also in terms of our food, our transport, all these central ways of living. It all has to be sustainable. 

In terms of whether that’s a new message in Paisley, there are sections of the population who are already quite acclimatised to the idea of: ‘No I don’t buy new, that’s just the way that I am. I go and look for something second-hand, or something that’s been handmade that I can afford, and then if I really don’t find that there then I’ll buy new if I really have to.’ But that should be the way that we all operate from the outset. And it still tends to be the case that it’s a certain group of people, it’s still perceived as being quite a middle-class way of operating. That isn’t necessarily true, because there are people who are in quite low-income bracket groups, who are living in areas that are considered to be areas of high depravation, who have for decades and decades been operating in this way anyway. They’ve been handing clothes down to neighbours, they’ve been mending stuff, adapting stuff as they needed to. So, although it’s perceived as being a middle-class preserve, it is actually out there anyway. What we need to do is to get that much broader group of people to connect, and to come into the shop and not feel; ‘Oh that’s for those weird middle-class people who wear sandals or eat brown rice or order really expensive organic vegetables.’ This is for everybody. We do try and make the stuff that we have in the shop, the handmade stuff, accessibly priced. And sometimes that means that things are being made a below National Minimum Wage level per hour, because we’re really trying to make sure it is accessible in terms of its price. But it’s done by volunteers which makes that possible. We do accept at the same point that there are still a lot of folk who maybe have three kids, and going to Primark is still the most economical way to go and get school uniforms or summer holiday clothes. 

 

I saw you also have a filmmaking group, and are using that to promote the message of sustainability, so it’s really about trying to get people together and find creative outlets, whilst sticking to the ethical ethos, would you say that’s right?

 

Oh, yes, yes. I trained as a textile designer and then I trained in television and electronic imaging and animation, so I have both those things in my background, and it made sense to pull that into the operation of the programme and the shop. Quite often what happens is you’ll get a group of people who don’t see themselves or identify as having an interest in clothing; making clothes or mending clothes, they don’t see themselves as a part of that group. So, the film projects and workshops are a way of attracting a different group of people, quite often boys. 

For example, we recently had Stop/Start, which was a project that was around lockdown, and looking at the link between the COVID-19 virus and how we are, as a species, not being very kind to our environment. We had a group of young people who came and did raps, wrote poetry, they worked with two musicians, and it was an all male group for the rap music side, and an all female group for the animation side. Through that, we reached a very different audience, and through the process of making the film and the soundtrack, those participants got to understand a lot more about what the problems are; it’s the resources and the amount of resources that we’re expecting from our planet in terms of clothing. So, the filmmaking projects are really important. That’s one side of it, the participation because it engages a different group; the other side of it is that we produce these lovely little short films which we can then send out to lots and lots and of different people at the same time. You have this little compact set of ideas within a short film of maybe two to three minutes, that shows what the problems are. 

 

Has it been difficult adapting to a new way of running the shop and the hub and workshops during the coronavirus pandemic restrictions?

Pair of jeans mended by one of their volunteers

It’s been difficult for everybody in every aspect of our lives! And I think, more than anything, there was a real sense of shock. I think everybody reeled with absolute disbelief that this was an actual thing that was actually impinging on our freedom, on our ability just to do the things that we normally do. I think, from my point of view, that’s been an incredibly positive thing, because two things have come out of it. One is the realisation that this is not just a story that there’s a problem with how human beings relate to their environment, but that it’s a reality that will impinge on our freedom and our ability to live the way that we want to live. So we have to address it. The second thing is that it pushed us as an organisation to be really creative, and look at ways in which we could re-devise the whole programme around social distancing, using online Zoom workshops; that was really hard, and I think we were sometimes quite dispirited. I think a lot of people have experienced low spirits throughout this, because we couldn’t be around each other, to be conversational, laugh about things. 

But I think it has been one of the most positive phases of ReMode’s development. What we took from it was: I decided, as the programmer for ReMode, I have to think of this lockdown not just as a one-off, but with the notion that it could happen again. So however we move ahead, we have to be aware that this could happen again, which allows us to address the idea of isolation and remoteness, whether or not there’s a lockdown, and there are people who could take part via Zoom workshops, who couldn’t otherwise. So moving forward, Zoom workshops will be an ongoing part of what we do, and we’ll have to train all the facilitators in being able to communicate the ideas and how you do things step by step, using cameras and by preparing storyboards before the Zoom workshop so that you know exactly what you’re doing with the group. 

We’ve also looked at things like bringing out a zine, so we now have a ReMode Zine that we are starting up, which will come out in the next couple of months. Again, people remotely can write articles, or make photo stories of clothing that they’ve bought that they particularly like, that’s second-hand, or that they’ve mended or adapted. They can send all that stuff to us and got a curator who will collate all that stuff to make an eight page zine. That will be printed so people can pick it up when they come into the shop, and it will also be available online. It’s a fantastic way of getting lots of conversations going, which we wouldn’t have come across if this lockdown hadn’t happened. 

We’ve also developed the online shop. That does broaden the base that we can reach, but it also creates a problem in that it creates a distance between the person buying the clothes and the actual material substances of the clothes; you can no longer touch it, feel it, try it on. I do think that’s a problem. That’s been part of the problem since the end of the Second World War, where we’ve reached that familiarisation with mass production, so we’re becoming less and less connected to those material substances. We just think of them as: ‘Oh yeah there’s loads of it and it’s there’, which worries me a bit. Moving forward, we have to work on continuing to connect people to those materials especially if we are selling them online. But there has been lots of good that has come out of it.

 

Who would you encourage to get involved, and how can they do so?

 

Well, obviously everybody, but our funding and our focus is on young people. Your age group and younger are the people who are going to grow up, get older, want to have kids, want to grow lives, live in different parts of the world and so on. You’re going to face the problems that are being generated right now. So, we want to engage that group of people in the solutions, and there are plenty of solutions. We can resolve this and turn it around. What worries me is that there’s a lot of very negative stuff around it where young people get quite depressed about it, so we want to ensure that we engage an audience of young people, because you’re the people who are going to have to deal with it, and we want them to positively engage with it right now. We want to help to create agile thinkers, people who have the hand craft skills to mend clothes, people who have the mindset to pass on clothes, and accept that as part of life and part of the story of a garment that they enjoy. But of course, we do want to involve everybody ultimately.

There’s lots of ways to get involved. We have a volunteer group, who meet up every Wednesday, and at the moment we have about 25 volunteers, but there’s a core group of about 12-15, who do stuff for us regularly, and they’re all different people with different characteristics. There’s a group of maybe four or five who join in the Zoom on a weekly basis, and they enjoy that environment; they sit doing their mending, they talk about what they’ve been doing during the week. There are others who maybe go and deliver stuff or make up packs of materials. So there’s lots of ways of getting involved just within the volunteer system itself. That could be for people at school age; we can organise volunteering for people at school, through their Duke of Edinburgh award, but also beyond school; someone who wants to build up skills, or an understanding of sustainability and climate breakdown. They can come and work with us and understand more about materials. Or of course if you have a particular interest in clothe making.

We also have our workshop programme which is mainly online at the moment, but we’re hoping that we’ll be able to have small groups together, maybe a group of four participants at any given time; socially distanced and masked up and with a facilitator. 

Get in touch with us! Come into the shop. When you come and join our mailing list in the shop we ask a few things about your shopping habits so that we can gain some data to understand how things are changing, but we reward you with five tokens, which equals to £5 in the world of ReMode, which you can spend on our second-hand clothing, vintage rail. Sometimes people come in just to chat, to see what’s going on, and that’s the main thing, it’s those conversations that are really important. So come and have a chat, find out about volunteering, like us on Facebook and Instagram so you can keep an eye on what we’re doing, and please get in touch if you’ve got an idea of something you think we should be doing that we aren’t yet. 

 

Anything else you’d like people to know?

 

Just that we’re fantastic! I feel incredibly proud of this organisation. I started it on my own, and there was some really difficult stuff at the beginning; forming a community, being on my own and then finding the funding to bring in other people. I’m Creative Director and I have a view of what I want the organisation to do, but what has been amazing is, bringing in other people, like Carolyn, and Emma as members of staff, Jane, who does the very sensible stuff around organising and money, all of that brings in different brains, different characteristics that have made this organisation grow and to change direction. I think that has been incredibly exciting, and I have to take my hat off to their commitment, and also to our incredibly talented volunteers, for the beautiful stuff they make. So come and join us!

 

You can visit ReMode at 43b High Street, Paisley. They are currently open 10am-4pm Tuesday to Saturday. You can also find them on Instagram: @remode_youth, Twitter: @ReModeIt, Youtube: ReMode It and Facebook: ReMode, as well as their website www.remodeyouth.org

Another article from the very talented Rachel Campbell:

“I’m Rachel and I’m a 20-year-old student studying English Literature and History. I’ve always enjoyed writing and after getting involved in the student newspaper during my time at university, I’ve found a real interest in journalism too. I’m looking to write positive stories about what is going on in Paisley, and help readers learn more about the businesses and activities that are so close by. I’m interested in sustainability and how we can support local businesses whilst also doing our bit for the planet. Along the way, I’ll hopefully write about a wide range of topics: music, fashion, theatre, art, health and wellbeing, and anything else that is happening in Paisley. I’d love for anyone to get in touch if they’re interested in having me write an article about their business/charity/event/activity. ”