Horsecross Arts and Random Accomplice present
And the Beat Goes On
by Stef Smith
Directed and designed by Kenny Miller, performed by Johnny McKnight and Julie Brown & Julie Wilson Nimmo
‘A little darkness never did anyone any harm’
Tue 24 – Sat 28 Mar: Tron Theatre, Glasgow
Press Night Wed 25 Mar: 7.45pm I Tron Theatre
Thu 2 – Sat 4 Apr: Perth Concert Hall
and then on tour throughout Scotland
And the Beat Goes On goes on tour!
Tue 21 Apr: 7.30pm I Paisley Arts Centre
£12; concessions £10 + booking fee
0300 300 1210
Horsecross Arts is continuing to take theatre out and about while Perth Theatre undergoes redevelopment announcing a new creative partnership with Random Accomplice to take Stef Smith’s new play And the Beat Goes On out on tour this spring.
The chilling tale from the Olivier Award-winning playwright, Stef Smith will be performed by Random Accomplice artistic directors Julie Brown and Johnny McKnight, along with Julie Wilson Nimmo, and is directed by Kenny Miller, associate director for theatre for Horsecross Arts, the creative organisation behind Perth Concert Hall and Perth Theatre.
And the Beat Goes On opens in The Tron, Glasgow on Tuesday 24 March before touring to Perth Concert Hall; The Beacon, Greenock; Eastwood Park Theatre, Giffnock; The Lemon Tree, Aberdeen; Eden Court Theatre, Inverness; Paisley Arts Centre; Gardyne Theatre, Dundee; finishing up at Macrobert Arts Centre, Stirling on Thu 23 and Fri 24 April.
Peter and Lily have a secret. They love Sonny & Cher, their favourite celebrity couple of all time. Sonny and Cher were mismatched, they were camp, they were good honest fun.
Decades later Peter and Lily are still listening to their records, still lip-syncing to their songs and practicing their comedy routines every evening. But beneath their obsession with sparkle and showmanship is a tragedy. And as dark truths start to pop their bubblegum act, it becomes clear not everything is quite as it seems…
Stef Smith, who is best known for supplying the text for Oliver Award-winning show RoadKill, drew on her lifelong love of Cher when writing And the Beat Goes On. She said:
“I’m a life long fan of Cher; I’m interested in how she represents survival, even if only in pop culture terms. I wanted to write something that used Sonny and Cher as a jumping off point rather than a write a biopic about them. I think Sonny and Cher represent a more innocent time, especially in the representation of famous couples. And I wanted to juxtapose this image of ‘a perfect couple’ with a couple who have no choice but to stay together; the idea that under something perfect is a very dark secret. I am always interested in the overlap of humour and darkness. I think they offset one another and there is a lovely alchemy that happens when the balance is just right.”
“One of my other inspirations was Johnny and Julie themselves. I’ve been a big fan of Random Accomplice’s work and have always enjoyed their diverse mixture of comedy and drama. I wanted to write them parts that allowed them to show the diversity of them as performers – a balance of lightness and darkness.”
Johnny McKnight said:
“And The Beat Goes On was an irresistible proposition from the mighty pen of Stef Smith. It seemed to encompass everything that Random Accomplice looks for in a theatre piece: very dark and with a tongue placed firmly in the side of a gaping mouth. Horsecross Arts seemed the ideal partner after the successful collaboration with myself on Blithe Spirit. There’s the historic tradition of the theatre, a sense of the vaudeville past that seemed appropriate for this production. Combined with the talents of working with director/designer Kenny Miller, who wouldn’t want to have to grow the moustache, monkees-style hair and dust down the flares?! We hope the show provokes and questions the world in which we live.”
Kenny Miller said:
“It is an enormous pleasure and privilege to be directing this play by Stef Smith. The challenge is to present these two characters who have disappeared into a fantasy world of Sonny and Cher instead of facing up to the reality of a deeply traumatic personal tragedy as three dimensional believable human beings and not a couple of mad people who pass their days putting on shows to appease their self indulgence It is also a pleasure to be touring this show around Scotland in some of the best venues and supporters of new work with the superb Random Accomplice. Audiences can expect a slightly sinister but ultimately thought provoking play about the fragility of two people trapped in a cycle of despair.”
Venues and Dates
Wed 8 Apr: 7.30pm I The Beacon, Greenock
£12; concessions £10
Thu 9 Apr: 7.30pm I Eastwood Park Theatre, Giffnock
£13; concessions £11; students £9
0141 577 4956
Tue 21 Apr: 7.30pm I Paisley Arts Centre
£12; concessions £10 + booking fee
0300 300 1210
Cast and director biogs
Kenny is an award-winning designer and director and is currently associate director of theatre for Horsecross Arts. He has worked in Theatre and Opera both nationally and internationally, designing and directing for many companies such as Royal Court Theatre, Royal Shakespeare Company, Oxford Stage Company, Hampstead Theatre, Theatre Royal Stratford East, Palace Theatre Watford, Greenwich Theatre, Bush Theatre, Donmar Warehouse, Royal Lyceum, Oldham Coliseum Theatre, Dundee Rep Theatre, Borderline Theatre Company, Òran Mór, Scottish Youth Theatre, Birds of Paradise Theatre Company, The Arches, Tron Theatre and National Theatre of Scotland. He is also a founding member of the Glasgow based company Theatre Jezebel. His work for Perth Theatre includes: Face and Jacquoranda, Macbeth, Blithe Spirit, Proof and Tam O’Shanter.
Johnny trained at Royal Conservatoire of Scotland on the BA Honours (Contemporary Theatre Practice) course. His directing credits include: Wendy Hoose, The Incredible Adventures of See Thru Sam, Love Hurts, Smalltown, Promises Promises (Scotland, West End and Off-Broadway runs), Marymassacre, Something Wicked, Little Johnny’s Big Gay Adventure (Random Accomplice); Aganeza Scrooge (Tron Theatre); Blithe Spirit (Perth Theatre); Beauty & The Beast, Jackie & The Beanstalk, Snow White, Mother Goose, Little Shop of Horrors (Macrobert); Bye Bye Birdie (Dance School of Scotland); A Man of No Importance, Spring Awakening (RCS); Hansel & Gretel: An Urban Nightmare, Carmen Redux (Scottish Opera). He has also worked as a performer with a multitude of arts organisations including: National Theatre of Scotland, Arches Theatre, Complete Productions, Scottish Opera, 7:84 Theatre Company, Macrobert Arts Centre, Glasgow Repertory Company and Visible Fictions.
Educational work includes National Theatre of Scotland, Scottish Opera, 7:84 Theatre Company, National Theatre of Scotland, Arches Theatre Company, Langside College, RCS and Scottish Youth Theatre.
Writing credits include: Wendy Hoose (Random Accomplice & Birds of Paradise); News Just In, The Incredible Adventures of See Thru Sam, Double Nugget, Love Hurts, Smalltown – Ardrossan, Little Johnny’s Big Gay Wedding, Little Johnny’s Big Gay Musical, Little Johnny’s Big Gay Adventure, Something Wicked (Random Accomplice); Hand, Last One Out, The Curse of The Maccabre Opera House, First Class – Passport to Paris (Scottish Opera); Aladdin, Beauty & The Beast, Jackie & The Beanstalk, Snow White, Sleeping Beauty, Mother Goose, Cinderella (Macrobert); Miracle on 34 Parnie Street, Peter Panto, Aganeza Scrooge (Tron Theatre); Cinderella (Royal Lyceum).
Johnny is currently under commission to Macrobert Arts Centre and The Royal Court.
Stef Smith studied Drama and Theatre Arts with a specialism in directing at Queen Margaret University in Edinburgh. She is best known for supplying the text for Oliver Award-winning show RoadKill. Other writing credits include: Cured (Glasgay!/The Arches), Grey Matter (Aberdeen Performing Arts), The Silence of Bees (The Arches), Falling/Flying (The Tron) and Tea and Symmetry (BBC Radio Scotland). She was also part of the National Writers Group at the Royal Court Theatre in London and has been on attachment with The National Theatre of Scotland. Most recently Stef was commissioned by the National Theatre Connections festival in London to write a play for young people. In 2015, this piece called Remote will be performed by over 50 schools, colleges and youth theatres throughout the UK and it will also be performed in Sao Paulo, Brazil.
Julie trained at Royal Conservatoire of Scotland on the BA Honours (Contemporary Theatre Practice) course. As co-Artistic Director of Random Accomplice, recent Company credits include News Just In (Performer & Producer); Wendy Hoose (Performer); The Incredible Adventures of See Thru Sam (Performer & Producer); TIPS (Director); Double Nugget (Director & Performer); The Promise (Producer); Smalltown (Performer & Producer); Little Johnny’s Big Gay Wedding (Director & Performer); Little Johnny’s Big Gay Musical (Director & Choreographer).
She has worked for a range of Companies (including Scottish Opera, National Theatre of Scotland, Royal Conservatoire of Scotland, Cumbernauld Theatre, Arches Theatre, Bard in the Botanics) as well as directing and choreographing for various Youth Companies. Most recent credits include director of ‘Aladdin’ (Macrobert); Pop Up Theatre Royal (Scottish Opera); Der Jasager & ‘Down in the Valley (Scottish Opera Connect Company), performer in Aladdin (Macrobert); Snow Queen (Cumbernauld Theatre),
Julie will next be directing a double bill for the Scottish Opera Connect Company, The Walk From The Garden and Dr Ferret’s Bad Medicine Roadshow.
Julie Wilson Nimmo
Julie trained at the RSAMD in Glasgow. She has worked with Random Accomplice, The Tron, The Citz, Frantic Assembly, Thick Skin, National Theatre of Scotland, TAG, and Oran Mor. In television she is best known for her role as Miss Hoolie in Balamory. Julie also has an extensive background in comedy, appearing in Pulp Video, Rab C Nesbitt, The Baldyman, Chewin’ the Fat, Blue Haven and Mike and Angelo.
Her film work includes The Slab Boys, Mrs. Caldicott’s Cabbage War, My Life So Far and Gasping.
Julie loves doing radio and was a regular in radio 4’s Fags Mags and Bags.